Seeing a live performance is one of a kind experience. You get to see the actors on stage, performing their roles that very instant, reciting their lines with no retakes, emoting their expressions with no editing. You get to see the collective work of the entire team right before your eyes- the background music in-charge meticulously changing the tunes according to the scenes, the costume in-charge on his toes getting his actors ready for the next act, the stage manager making sure the right set is visible on stage for the viewers, and loads of others who work in tandem to get the play on stage perfectly right. I had the pleasure of seeing Y Gee Mahendran’s Kaasethan Kadavulada for my first theatre viewing. I was so impressed with the entire notion of theatre and drama that I had no qualms in making my presence for the 100th show of this endearing tale, Soppana Vazhvil. Hearty congratulations to the entire team on this impressive feat.
Soppana Vazhvil follows the life of Ganesan (YGeeM), a simpleton. His wife Meera (Yuvasri) is highly annoyed and worried that her loving husband is the target of fun and mockery in the society. She tries making her husband understand, but Ganesan is happy with the way he is. He realizes he isn’t normal, but is helpless. He seeks peace in his wife’s love. An unfortunate accident, a hit on the head enables Ganesan to acquire special powers to dream the future. Simpleton Ganesan is replaced with Future Reader Ganesan. Ganesan resorts to help the police using this power but a meeting with a weird lady from France puts wicked ideas in his mind. He decides to misuse his power to seek revenge on the people who made horrible fun of him. Does Ganesan succeed in his new cunning plan or does he get caught? Will the old simpleton Ganesan ever rise back?
The beauty of this play is its simplicity. It’s a simple story with no conniving plots or twists. Every scene is written with a purpose either to move the story forward or project Ganesan’s thought process establishing his character. I felt the end mission of this play is to drive few messages forward. Don’t resort to revengeful acts. Don’t make fun of people with physical or mental disabilities. I can confidently say that the troop successfully accomplished this mission and very effectively as well. There was a lot of emotion in the narration. You can feel for Ganesan. You feel he is one of our own and feel the need to protect him. You feel proud on his victories. You feel sad on his failures. This, I accredit as success to the actor and the writer. This play belongs to the marvelous Y Gee Mahendran. He shouldered the entire play wonderfully. Gopu Babu, the writer, beautifully puts together all emotions required for a perfect entertainer. Great job!
If you may have noticed, even though I say the play was a perfect entertainer, I still have given only 4 on 5. That’s because the show was near perfect, but fell short on certain factors. The humor quotient! References to Big Boss- was a clever move. Big Boss is what is on everyone’s mind now. But it had nothing to do with the play, hence it didn’t fit well. Same goes to political jabs which I felt was completely unnecessary. I wish, the play, the characters and the situations were more comical. Also- one of the main scenes of the show is Ganesan’s meeting with the lady from France which I felt fell completely flat. Ganesan’s motive for revenge was never properly established. To add more, I felt the supporting cast was completely wasted. Yes. This play belongs completely YGeeM, still I wished to see more from the supporting cast. Ganesan decides not to use his powers at the end. Isn’t he restraining himself from helping the public from troubles then? A slightly better ending may be?
Coming to the performances. I have already said a lot about Y Gee Mahendran’s magnificent performance, a special mention to his monologue at the end. Yuvasri was fantastic so were the rest of the cast.
A round of applause for the crew- Music, Costumes, Lights and the Set. It wasn’t extravagant but suited the play very well.
Soppana Vazhvil is a wonderful family entertainer with a beautiful message. Powerful performance from Y Gee Mahendran is all that is needed to watch this excellent play.
I feel immense distress in writing this review. I did my best to postpone reviewing this show, even skip reviewing it. I was in denial to be honest. How can one of the best written comedy shows in the history of Indian Television come up with such a poor script and structure! I remember being on cloud nine when the season 2 of Sarabhai was announced, especially with almost every show currently on Indian TV being either disgusting or bizarre. Hatsoff Productions have always given us magnificent shows in the past with the likes of Khichdi and Baa Bahoo aur Baby. Not to forget the first season of Sarabhai itself. I believed there was no way the writers would mess with the cult status of this show. But I was proved terribly wrong.
Almost everything about Sarabhai Take 2 is wrong. Season 1 worked extremely well for several reasons- Maya’s high class attitude, Monisha’s middle class antics and Rosesh’s weirdly entertaining poems. These three factors were given in balanced proportions which paved way for the huge success of the show. Take 2 completely messed with this balance. We had an overdose of Rosesh for one. Every scene of his had a poem which seemed to have been written in such haste without any thought. Jasmine, Rosesh’s girlfriend, has to be one of the most irritating characters written by the Hatsoff writers ever. In the beginning, she did seem entertaining with her funny English and giving a strong fight against Maya. But later, it became too much to bear. The simplicity and innocence of Season 1 was a complete miss in Take 2. The story line was never funny. Maya Vs Monisha didn’t have the earlier charisma. Maya was so preoccupied with Jasmine that Maya Vs Monisha took a back seat. Indravadhan was wasted. I missed his one-liners. Sahil looked helpless. His character seemed so different. I couldn’t see the purpose behind including Arnab in the family. He didn’t make any difference to the story line. Only Dushyant and Fufaji were enjoyable.
One of the major success factors of Sarabhai was its situational comedy, clean comedy. Take 2 boasted itself to be clean comedy but took high liberty in using double meaning lines especially from Jasmine. The show being a web series, there is no issue of scrutiny by censor board, yet, these jokes damages the image of Sarabhai. It’s painful to see the wonderful characters reduced to such jokes when they are capable of much more.
Another con for Take 2 is it’s continuous story line instead of it being episodic. I give it. It was an experiment but it didn’t work. I loved the apartments in season 1. The apartments in Take 2 didn’t feel like home. I know it is unfair to compare but it is also inevitable. I felt the show tried very hard to be modern, to be contemporary which was unnecessary in my point of view. They could have stuck to normal family incidents.
The actors were in form, no questions there. They performed their best sticking to their characters. I wish they had a better script.
Having said all the above, when compared to all the awful shows on TV, Sarabhai Take 2 is still watchable. It’s different. It’s online. And there is no meaningless melodrama. It falters badly only when compared to its legacy.
I hope the team learns from their mistakes and give us a better show the next time.
It’s really difficult to find a good Indian thriller. From the experience of having read quite a few number of Indian books in this crime/thriller genre, I find it safe to say that it is heavily clouted by Television/films. The characters and the plots are too filmy and the central character is undoubtedly highly heroic. The story is as always taken for granted and loads of loopholes are left unattended. Breaking the above norms, author Ravi Subramanian has given the readers brilliant thrillers, set in India, with the plot, characters and background as authentic as possible. It is a shame that I have read only one work of his previous, The Bankster, but I remember enjoying it thoroughly, even surprised that an Indian author has been able to come up with such a good crime thriller.
In the Name of God is predominantly set in the backgrounds of Kerala, specifically the very popular, and if I may add, and the very rich Anantha Padmanabha Swamy temple. The central idea behind the book, with respect to the narration, is having various storylines running in tandem and connecting them at the end. Hence, first, the story begins in Dubai, where the jewellery shop at the Wafi Mall is attacked by a bunch of thieves, one of whom leaves behind a clue which sets the ball rolling from Dubai to India. Kabir Khan, CBI is invested with this case. Simultaneously, we have a bomb blast in Mumbai at Zaveri Bazaar, the acute center for all the top rated jewel designers. Nirav Choksi, a leading designer, leads the jewelers in the protest against moving to another building. At Kerala, Rajan wants the State to take control over the Anantha Padmanabha Swamy temple, seizing the powers from the current King and controller, Dharmaraja Varma. Rajan believes hidden malpractices are in motion, and lodges a case in the court, which he subsequently wins, but also which leads to a huge lot of chaos and riots from the King’s supporters. The court orders an audit team led by Vikram Rai to open the vaults and calculate the value of the treasures in it. When Rajan’s friend, Kannan is found murdered in the temple premises, Kabir Khan is presented with the case. All the above happenings are connected in some way. How?
Every case is written with extreme conviction that it’s very difficult to pick which one of them was the best. Of course, my point goes to the Padmanabha Swamy Temple Vault case since a lot of historical references are involved. The narration is very racy. The chapters are short, sometimes too short, but it jumped between cases and places at ease and clarity. The investigation process, how so many organisations are involved, how contacts are useful, how political pressure brakes the progress of the case, how religion seeps anywhere and everywhere- the author brilliantly yarns all the social factors into this story. The dilemma between truth and belief is subtly portrayed differently for different characters. The bringing together at the end was very nicely done, all stories covered and ended.
There were way too many characters, not to my liking honestly. Kabir Khan was exceptional. His passion for his work and his intelligence during the case investigation was very entertaining. I loved Krishnan. He represented most of the top ranking police officials. Bound by pressure from the top, helplessness over being unable take necessary steps for the case, adding to it his own personal life troubles. The rest of the characters had their own contributions to the story, no character was wasted.
The book works for most part of it. There wasn’t anything that nearly sabotaged the story. But there were certain things which I felt pulled the book back from being perfect. For one, I wasn’t really keen on having very short chapters. Even though it helped in having the story in fast forward mode, it contained me from involving myself into the story, like I didn’t really have the time to delve into the writer’s world. Way too many subplots, perhaps? Loads of clues open gates for several storylines and it becomes difficult to keep track of everything. For eg: Who opened Kannan’s Swiss account? The Madurai smuggling? Suthamalli theft? These may not have any bearing to the actual story, but these gates were opened and left open at the end. I wish the story still stayed on the Temple Vaults case, rather than drifting away into something completely different. Also, I admit, I wasn’t greatly impressed with the climax. The timelines got way too complicated and repetitive. I expected it to be much more. But that is just me.
As a whole, In the Name of God is a fantastic read. It combines history, art, smuggling, terrorism, police- everything into one story, and with amazing clarity.
For the success of any book, series or a movie, the key is the central character. If you like or get down to love the lead, you naturally garner interest in knowing what happens to his or her life. The central character of this Henning Mankell series, Wallander, is a troubled, drunkard and an ordinary police officer, and yet there is something about him which glues you to read the books. I watched the TV adaptation of this series with Kenneth Branagh playing Wallander, before I started reading the books. I was pretty impressed with the TV series as it was a complete contrast to the usual cop procedural. As I said before, the lead character is not a likeable one. Yet, there is a good dosage of realism in the character portrayals which forces you to accept the flaws of the characters.
An elderly couple is brutally murdered in their farm and Wallander is assigned the case. When a clue points that the suspect could be a foreigner and when this detail leaks out to the press, a racist war breaks out where refugees gets targeted leading to more killings. Wallander, a disturbed middle aged police officer, with a troubled personal life, tries meticulously to balance his personal and professional life, mostly failing when he succumbs to drinking. But with a very capable team behind him, he navigates through the obstacles to solve the cases.
A little more on Wallander as the series seems to be more about the man than the cases per se. He is very sincere when it comes to his work but has a very muddled thought process. He struggles to prioritize his work. His wife has applied for divorce, his daughter lives independently and away from him and his father suffers from dementia. Now that’s more than a difficult personal life. Perhaps, it is this that becomes problematic with the story after a while. There is too much self pity and self loathing which isn’t very impressive for a police officer. I don’t mean to say that a policeman cannot have his own problems, but it just seems too much. His professional conduct, like his cleanliness for example is highly questionable and cringe worthy if I might add. On TV, Kenneth Branagh performed the character really well that I didn’t really hate him, but on paper, the character isn’t definitely impressive for me to worry about him.
Having said that and coming back to the story, the two cases are really interesting and the way the police works with the other departments and plan their course of action is commendable. The racist attack case takes predominance after a point even though the double murder case seems more interesting and contains more scope for a powerful story. I was waiting to see how they tie up the horse connection but was left disappointed with the answer.
The book is a Swedish series. Hence the character names and locations are in Swedish which causes huge trouble in understanding. The author has described the locations so beautifully well that I could feel the chillness of the cold and the soggy rain.
I wish the author had made Wallander a little more likeable especially considering this book is the first one in the series. Yet, as a whole, I really liked the story telling and want to see how Wallander breaks away from his depression and leads a normal life, become a normal person.
Psychological thrillers have increasingly become very popular in the last few years. With Gone Girl turning into a massive hit, there has been a heavy rush of books set in the same genre. I am probably one of those who couldn’t complete Gone Girl in spite of being enthralled by the suspense. I ended up watching the movie to know the ending. Anyway, The Kind Worth Killing is almost very similar to Gone Girl. It’s a revenge saga and every chapter gives account of the happenings from each character’s perspective and as a reader, we need to deduce which one of them is narrating the truth, start reading between the lines and understand that each one of them is leaving out certain details which would entrap them. I really enjoyed reading this book though at the end I felt like, “What a sad and devious story! Sadistic!”
Ted Severson meets Lily, a complete stranger to him, at the airport and begins talking to her about his personal life over drinks. He confesses that his wife was having an affair and how he craves to see her dead. Lily, out of the blue, offers to help him carry out the murder! Insane, right? We then get to know the background life of Lily, how she had always led a lonely life and how she had already committed murders to save herself, how she felt happy after every murder! Ted and Lily meet few more times to discuss their plans. What happens next? Does Ted and Lily succeed in killing Miranda, Ted’s wife? Above that, do they get away with the murder?
As with any thriller, the success lies with the impact of the turning points and how it takes the readers off guard. There were quite a good amount of those moments in this book which makes it really exciting and engaging. Though after a point, I admit it became a routine, predicatable. The author has definitely given a very air tight story. I loved how Lily’s mind worked and how she always made sure all the loose ends are tied. Miranda’s character was a surprise and I am sure who have read the book would understand what I mean. The book doesn’t give a pleasant feeling at the end though. It’s not a pleasant read. There is a lot of wickedness in every character and you realize you don’t like any of the characters in the book. You don’t feel sad and have any sort of sympathy for anyone. May be, that’s what psychological thrillers are all about?
The author has done a very good job in building suspense throughout the book. As a reader, I understood the psychology of every character and the reasons behind their actions. The murky rainy weather added a lot of character to the story. The fact that Lily and Miranda have crossed paths in the past and how that had sowed the intent of revenge was clever work. Having read a good amount of psychological thrillers, I realize I don’t really enjoy them much. But for the ones who love reading this genre, this book is definitely a very entertaining one.
I remember having history lessons on Mughal Empire when I was in school and I used to be so fascinated by the grandeur life of the Kings and Queens, the magnificent architecture and the stories behind their establishments. The Mughal Raj is always looked at as a time when India flourished in trade and economy. The same era was also very popular for its love stories- I mean Taj Mahal! Can any sign of love beat this beautiful monument? My point is- the Mughal era instigates a certain amount of interest in everyone’s mind. I am no different. Look at the amount of movies made based on the Mughal kings. It’s really difficult to read the essayed account of the Mughal period, it’s too theoretical. That’s when my friend suggested me The Twentieth Wife- the first book in the Taj Trilogy. I absolutely loved The Twentieth Wife. It amazingly blended facts and fiction to give a perfectly entertaining and engaging book. The Twentieth Wife follows the life of a young and ambitious girl, Mehrunissa- her aspirations and plights and how she eventually becomes Nur Jahan, Jahangir’s wife, Jahangir’s 20th wife.
The Feast of Roses continues Mehrunissa’s life, her life as a Queen, as Nur Jahan. Commonly, when talked about Mughal Queens, the first name to pop in our minds is Mumtaz Mahal- mainly because of Taj Mahal, right? It’s surprising to see how much Nur Jahan had contributed to the development of the empire. She wasn’t a puppet queen. She was more of a King; her decisions were Jahangir’s decisions. She was a headstrong, powerful and practical woman, who understood the nuances of politics to the tee. She was always ready with her next move, calculating the moves of her enemies perfectly. Reading Mehrunissa was a delight! She wasn’t hasty. She knew she had to move through the ladder slowly, without offending her husband, the King. Her biggest strength was her husband. Jahangir’s love and support for Mehrunissa is commendable. He never discriminated her. In spite of the fact that Mehrunissa couldn’t bear him a child, his love for her never decreased or ceased. One sad point was the meager amount of time Mehrunissa could spend with her daughter, Ladli, from her first husband. I loved reading the interactions between them.
Who will succeed Jahangir? That’s the basic plot of this book. With Mehrunissa unable to produce a child, Jahangir is forced to look at his other sons. Khusrau, his first, blinded as punishment for revolving against him before, is a weak contender. Parviz, a drunkard, is never in the competition. Shahryar is very young. That leaves with Khurram, young and dynamic man, who later wins the title Shah Jahan. Mehrunissa’s goal is to win Khurram’s support. It’s important because, at the death of her husband, she would be left alone and she would need the support of the next king for survival. Thus begin the battle of wits and valor. Mehrunissa, by marrying her niece Arjumand (Mumtaz Mahal) to Khurram, believed Khurram would be grateful to her for that. But she never expected Arjumand would silently turn Khurram away from her. There are many more instances like when Mehrunissa commands Khurram to marry Ladli, and he refuses. I felt really bad for Ladli. She was just a coin in the game, a game she never wanted to participate in.
I found little interest in the English-Portuguese-Mughal treaty part. Even though, that sowed a lot of discomfort in relationships within the family, somehow, it wasn’t engaging enough. I was surprised at the significant role Mehrunissa’s brother, Abul Hassan played in getting Khurram crowned as the next ruler. Hoshiyar Khan, Mehurnissa’s aid eunuch, stood out at the end as someone who didn’t betray his mistress till the end. I wonder how he did that? He worked for the previous queens too, but stayed true to Mehrunissa, supporting and guiding her at all times. On thinking, Khurram never won the throne on his own. He wasn’t nominated by the King or the Queen either. He just attained it because the rest were killed. Now that’s not a good start for a king, is it?
The narration was brilliantly paced. You never realise that you are running through years within a few pages. The description of the Mughal cities and their architecture was beautifully worded. I never wanted to skip any of the descriptions as it was so captivating. I wonder why Jahangir and Nur Jahan are never talked much as compared to Shah Jahan and Mumtaz. It seems like Jahangir did a lot more to the empire than Shah Jahan. Guess, it’s thanks to Taj Mahal!
I am eagerly waiting to read the next part of this series- The Shadow Princess. If you want to read and get transported to the Mughal age, this series is THE ONE!
Go for it!
Number of episodes: 6
Mounting expectation and then huge disappointment! That’s how Top of the Lake was. Recently, Season 2 of this series, which I am yet to watch, was aired and has gathered very great reviews. I, being someone who goes by the order, decided to watch Season 1 first before moving to Season 2. Now I am not sure if I will watch Season 2.
Top of the Lake has been a show on my watchlist for very long. I never got around watching it until now. It’s one of those shows which is painted in gloominess, both in setting and emotions. There has been a lot of shows which are based on child abuse. This show is one among them. I wouldn’t say the writers were insensitive or did injustice to the theme, but somewhere I felt, they completely lost track of the story.
In a small town in New Zealand, Tui Mitcham, a 12 year old girl, tries to kill herself by drowning but is rescued. On medical examination, it is discovered that she is pregnant. Detective Robin Griffin, a specialist in cases involving children, is called for help. She along with Detective Sergeant Al Parker tries to get to the bottom of the case. Matt Mitcham, Tui’s father, the head henchman of the town, tries to deal with the case on his own. He has several ugly disputes with GJ, a spiritual woman leader leading a group of troubled woman, over a land they occupy. When Robin questions Tui if she would tell who is behind the pregnancy, Tui refuses to answer directly. Matters get worse, when Tui disappears- runs away. Robin now has to find the abuser as well as find Tui before something happens to her.
This is a very disturbing plot, no doubt. The screenplay is very slow, and hence the story moves at a snail’s pace. I don’t really mind slow stories, but when the story moves away from the plot, focusing on other characters which don’t really make a difference to the story? That’s when the attention begins to waver. Robin Griffin is the lead of the show. For the first two episodes, she was effective- good with her intuition, head straight with her fellow male officers and all. She has a troubled past (no surprise there!), something similar to Tui and that’s where the narration shifts. The story tries to connect Robin and Tui’s story. Robin subsequently comes across as whining and complaining, self piteous, and her on and off relationship with Tom (Tui’s step brother) gets very irritating and takes the story away.
Looking from a different perspective, my view of the show, my complain that it strayed away from the plot is just because I read the plot online beforehand. Hence, I had a set expectation which might have driven me to the disappointing conclusion about the show. Even with a beautiful scenic setting, a dark hovering theme and a good performance from the cast, the final Sidney Sheldon type of ending overshadows all the good things for me. Al’s attraction towards Robin was sudden and on the face. Matt Mitcham’s outbursts were either overdone or overacted. I never understood the purpose of GJ and her troops. May be just to bring some weirdness? I feel quiet doubtful why I didn’t like the show much while the same show had garnered so many positive reviews, nominations and awards? Could it be because of binge watching it? Guess, that’s an entirely different story.
On the whole, Top of the Lake isn’t a very bad show. It’s creepy, weird and gloomy. It did get my attention for the first few episodes. Probably the in-between ones- Episode 4 and 5 weren’t that great and engaging and hence the loss of interest. You can watch this show for its magnificent setting and at times very exciting scenes, but yes, there are much better shows to spend your time on!