It’s really difficult to find a good Indian thriller. From the experience of having read quite a few number of Indian books in this crime/thriller genre, I find it safe to say that it is heavily clouted by Television/films. The characters and the plots are too filmy and the central character is undoubtedly highly heroic. The story is as always taken for granted and loads of loopholes are left unattended. Breaking the above norms, author Ravi Subramanian has given the readers brilliant thrillers, set in India, with the plot, characters and background as authentic as possible. It is a shame that I have read only one work of his previous, The Bankster, but I remember enjoying it thoroughly, even surprised that an Indian author has been able to come up with such a good crime thriller.
In the Name of God is predominantly set in the backgrounds of Kerala, specifically the very popular, and if I may add, and the very rich Anantha Padmanabha Swamy temple. The central idea behind the book, with respect to the narration, is having various storylines running in tandem and connecting them at the end. Hence, first, the story begins in Dubai, where the jewellery shop at the Wafi Mall is attacked by a bunch of thieves, one of whom leaves behind a clue which sets the ball rolling from Dubai to India. Kabir Khan, CBI is invested with this case. Simultaneously, we have a bomb blast in Mumbai at Zaveri Bazaar, the acute center for all the top rated jewel designers. Nirav Choksi, a leading designer, leads the jewelers in the protest against moving to another building. At Kerala, Rajan wants the State to take control over the Anantha Padmanabha Swamy temple, seizing the powers from the current King and controller, Dharmaraja Varma. Rajan believes hidden malpractices are in motion, and lodges a case in the court, which he subsequently wins, but also which leads to a huge lot of chaos and riots from the King’s supporters. The court orders an audit team led by Vikram Rai to open the vaults and calculate the value of the treasures in it. When Rajan’s friend, Kannan is found murdered in the temple premises, Kabir Khan is presented with the case. All the above happenings are connected in some way. How?
Every case is written with extreme conviction that it’s very difficult to pick which one of them was the best. Of course, my point goes to the Padmanabha Swamy Temple Vault case since a lot of historical references are involved. The narration is very racy. The chapters are short, sometimes too short, but it jumped between cases and places at ease and clarity. The investigation process, how so many organisations are involved, how contacts are useful, how political pressure brakes the progress of the case, how religion seeps anywhere and everywhere- the author brilliantly yarns all the social factors into this story. The dilemma between truth and belief is subtly portrayed differently for different characters. The bringing together at the end was very nicely done, all stories covered and ended.
There were way too many characters, not to my liking honestly. Kabir Khan was exceptional. His passion for his work and his intelligence during the case investigation was very entertaining. I loved Krishnan. He represented most of the top ranking police officials. Bound by pressure from the top, helplessness over being unable take necessary steps for the case, adding to it his own personal life troubles. The rest of the characters had their own contributions to the story, no character was wasted.
The book works for most part of it. There wasn’t anything that nearly sabotaged the story. But there were certain things which I felt pulled the book back from being perfect. For one, I wasn’t really keen on having very short chapters. Even though it helped in having the story in fast forward mode, it contained me from involving myself into the story, like I didn’t really have the time to delve into the writer’s world. Way too many subplots, perhaps? Loads of clues open gates for several storylines and it becomes difficult to keep track of everything. For eg: Who opened Kannan’s Swiss account? The Madurai smuggling? Suthamalli theft? These may not have any bearing to the actual story, but these gates were opened and left open at the end. I wish the story still stayed on the Temple Vaults case, rather than drifting away into something completely different. Also, I admit, I wasn’t greatly impressed with the climax. The timelines got way too complicated and repetitive. I expected it to be much more. But that is just me.
As a whole, In the Name of God is a fantastic read. It combines history, art, smuggling, terrorism, police- everything into one story, and with amazing clarity.